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Alasdair Fraser & Natalie Haas


Performance Formats: duo, other formats, large ensembles available

Alasdair Fraser amp Natalie Haas Image
Alasdair Fraser & Natalie Haas

cutting-edge fiddle and cello
explorations of Scottish
and global music

" … you would think they'd been playing together for centuries. While his fiddle dances, her cello throbs darkly or plucks
puckishly. Then [Haas] opens her cello's throat, joining Fraser in soaring sustains, windswept refrains, and sudden, jazzy explosions. Their sound is as urbane as a Manhattan midnight, and as wild as a Clackmannan winter."

— Boston Globe

"As many gigs as they must have played together over the past decade or so, there remains a striking spontaneity about Fraser and Haas's music-making. He has tonal variation and attack to spare, but what makes them so consistently absorbing is the responsiveness each shows to the other. Haas is more than a cellist: she's the rhythm section who uses the percussive chip'n'chop of her bowing and the double bass-like pulse of her pizzicato playing to great effect. The accompanist's role moves so fluently between them, building tension all the while, and then they'll slip into unison and it's like floodgates opening. "
— The Herald

"Fraser, one of the most respected of all exponents of the Scots fiddle, would look long and hard to find a more appropriate cellist as a partner. Haas can switch just as effortlessly as Fraser from a gentle singing tone to driving, dancing melody. A positive joy."
— The Scotsman

The musical partnership between consummate performer Alasdair Fraser, "the Michael Jordan of Scottish fiddling," and brilliant Californian cellist, Natalie Haas, spans the full spectrum between intimate chamber music and ecstatic dance energy. Over the last 16 years of creating a buzz at festivals and concert halls across the world, they have truly set the standard for fiddle and cello in traditional music. They continue to thrill audiences internationally with their virtuosic playing, their near-telepathic understanding, and the joyful spontaneity and sheer physical presence of their music.

Fraser has a concert and recording career spanning over 30 years, with a long list of awards, accolades, radio and television credits, and feature performances on top movie soundtracks (Last of the Mohicans, Titanic, etc.). In 2011, he was inducted into the Scottish Traditional Music Hall of Fame. Haas, a graduate of the Juilliard School of Music, is one of the most sought after cellists in traditional music today. She has performed and recorded with a who's who of the fiddle world including Mark O'Connor, Natalie MacMaster, Irish supergroups Solas and Altan, Liz Carroll, Dirk Powell, Brittany Haas, Darol Anger, Jeremy Kittel, Hanneke Cassel, Laura Cortese, and many more.

This seemingly unlikely pairing of fiddle and cello is the fulfillment of a long-standing musical dream for Fraser. His search eventually led him to find a cellist who could help return the cello to its historical role at the rhythmic heart of Scottish dance music, where it stood for hundreds of years before being relegated to the orchestra. The duo's debut recording, Fire & Grace, won the coveted the Scots Trad Music "Album of the Year" award, the Scottish equivalent of a Grammy. Since its release, the two have gone on to record three more critically acclaimed albums that blend a profound understanding of the Scottish tradition with cutting-edge string explorations. In additional to performing, they both have motivated generations of string players through their teaching at fiddle camps across the globe.

Workshops, Master Classes, and Residency Activities
Through the four summer programs that Alasdair founded, the Valley of the Moon Scottish Fiddling School, the Sierra Fiddle Camp in California, a week-long course at Sabhal Mor Ostaig on the Isle of Skye, and Crisol de Cuerda in Spain, Alasdair and Natalie have inspired hundreds of aspiring musicians.

Alasdair and Natalie give master classes and workshops for performers of all ages, levels, and instruments, with an emphasis on the linguistic nature and rhythmic drive of traditional music. Several different themes are available, including: finding your own voice on your instrument, becoming 'groove' aware, ensemble playing, arrangement, creativity & improvisation, and working with orchestra and smaller chamber groups. The focus is on inclusivity and building community through music-making. They create a safe, non-judgmental and non-competitive place to learn. All teaching is done by ear.

updated: 2 months ago